It’s afternoon in early October, and Susan Kelechi Watson has just emerged from her dressing room in Lincoln Center. The actress is on a short break from rehearsal for a production of “The Blood Quilt,” which begins preview performances on Oct. 30. “The Juilliard School is in front of me and Lincoln Center’s at my back,” says Watson, surveying her immediate surroundings. “This is probably as New York theater as it gets.” A few hours later, the actress would head downtown to another hallowed hall of New York Off-Broadway, the Public Theater, where she’s currently starring in “Good Bones.” The production is the second staging of the newest play written by “Fat Ham” playwright and Pulitzer winner James Ijames, and celebrated its opening night earlier in the week. “Opening night was so electric,” says Watson. “We all just felt really good about where we got the play to. James was rewriting as we were doing the show, so it wasn’t set; it was in a way sort of a workshop,” she adds. “He was still finding [the story], and we were still finding our characters. Even into previews, so much had been changing nightly up until about the fifth last preview,” Watson continues.
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