Sarah Paulson, Elle Fanning, Leslie Odom Jr. and More Hit Pebble Bar for Tonys After Party

At the Pebble Bar after party hosted by Kelli O’Hara and Arian Moayed, Paulson, who won for her role in “Appropriate,” posed with her Tony the entire night, biting it and holding it up to flashing cameras. She also laid across her costar Corey Stoll for several pics. Nearby, Elle Fanning, dressed in a black pantsuit and stilettos, was perched on a piano bench, sipping a martini and chatting with friends, while “An Enemy of the People” star Victoria Pedretti seemed to be avoiding cameras. While guests had four floors to explore at the Pebble Bar nearly every attendee landed on the top floor, where the music was loud, the drinks were flowing and the crowd was packed in. O’Hara, sporting a high ponytail and “Barbie” pink gown, mingled with guests including her “Days of Wine and Roses” costar Brian d’Arcy James. Throughout the evening, she also shared intimate moments with Tony winners Billy Porter, who went full glam with a glittery smokey eye, sparkly lip and diamond hair accessory, and “Purlie Victorious” star Leslie Odom Jr., who wore an all-white fit and ’70s-esque sunglasses. After taking countless photos, Paulson was ready to celebrate her win, standing by the bar dancing. While

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Michael Urie Is in His Dreamy Era

“It’s been a dreamy couple of years,” says Michael Urie on a Friday afternoon phone call, just hours before a performance of his latest Broadway show “Once Upon a Mattress” at the Hudson Theatre. These dreamy years have also been busy ones for the star, who rose to fame for his role as Marc St. James on the sitcom “Ugly Betty.” Now, Urie stars in the hit Apple TV dramedy “Shrinking” alongside Harrison Ford and Jason Segel — season two premieres Oct. 16. He has also taken the stage by storm over the past couple of years, starring in Broadway’s revival of “Spamalot” and now the revival of “Once Upon a Mattress,” which also had a stint at New York City Center in the winter. While both shows feature Urie in showstopping musical numbers, he never considered himself to be “very musical.” Michael Urie in “Once Upon a Mattress.” “Doing a musical at all, it’s still a pinch me thing,” he says. “I fell in love with theater because of musicals…[but singing] didn’t come naturally to me.” Urie con

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