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Choreographer Celia Rowlson-Hall Keeps ‘The Testament of Ann Lee’ Moving

“Move first, talk later” sums up choreographer Celia Rowlson-Hall’s approach to the musical biopic “The Testament of Ann Lee.” Working closely with writer-director Mona Fastvold and composer Daniel Blumberg, Rowlson-Hall helped center the story of the Shakers founder in movement.  “I have choreographed many-a-film in my career, and the way that Mona really wanted to have dance in the forefront of the storytelling of the film was such an incredible experience,” Rowlson-Hall says. Choreographer Celia Rowlson-Hall and director Mona Fastvold in rehearsals for “The Testament of Ann Lee.” Photo courtesy of Searchlight Pictures. © 2025 Searchlight Pictures All Rights Reserved. Searchlight Pictures “The Testament of Ann Lee” is the culmination of Rowlson-Hall’s almost two-decade friendship with Fastvold, and their own origin story is one for the books. “We met each other on the set of ‘Gossip Girl,’ where we were playing models storming some fancy party,” Rowlson-Hall recalls. The gig kicked off a creative dialogue and longtime collaboration. Rowlson-Hall worked as a choreographer on the 2018 film “Vox Lux,” which was written and directed by Fastvold’s husband and creative partner, Golden Globe winner Brady Corbet. “This was very much a family affair,” Rowlson-Hall adds. “When Mona brought ‘Ann Lee’ to me, it was such an exciting time,

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